Posts Tagged ‘children’s books’

Living Books on the 2000s

Dear Reader,

We are finishing up modern/American history! Here is my last booklist on this era. You can find all my booklists here.

Living Books on the 2000s

As we neared the end of the school year, I tried to zero in on the biggest topics to cover from the years 2000-2017. Here is the list I came up with:

  • The Election of 2000
  • The 9-11 Terrorist Attacks
  • The War on Terror including the War in Iraq
  • The Tsunami of 2004
  • Hurricane Katrina (2005)
  • The Obama Years

I am going to save 9-11 and the War on Terror for another post because there is so much to sort through but here is what I looked at for the rest of the 2000s:

Overview of the 2000s:

2000s 1

The 2000s: Decade in Photos by Jim Corrigan — photos but also text. About a 2 page spread on each topic. Not truly living perhaps but a way to get some events covered that one might not find other books on. Upper elementary to middle school. 57pp

The Election of 2000

Elaine Landau The 2000 Presidential Election — Not badly written. Seems relatively engaging. Upper elementary. 40pp. I had my 6th grader read it. She says “it was written well” and “it was fine.”

Election 2000: A Lesson in Civics — Very choppy. Author not easy to find. Not living.

Diana K. Sergis Bush v. Gore: Controversial Presidential Election Case — Focuses in the Supreme Court case. Gives historical perspective. Seems decent. Middle school level. 109 pp. I wish I had had time to have someone read this one.

Ted Gottfried The 2000 Election— Some historical perspective. Straight forward. Not too bad. Upper elementary to middle school. 55 pp

The Election of 2000 and the Administration of George W. Bush ed. by Arthur Schlesinger– Covers both the Election and Bush’s time in office. Seems too packed with names and numbers. Second half is mainly primary sources like speeches. Middle school. 120 pp

The Tsunami of 2004

In contrast to Katrina (see below), I found relatively few children’s book on the Tsunami that devastated Asia in December 2004.

The Killing Sea by Richard Lewis — fiction re two teens surviving the tsunami. High school. 220 pp. I wonder how it deals with religion and romance between the characters.

The Tsunami of 2004 by Gail P. Stewart — Middle school. 89pp. I had my 7th grader read this one. I like this series for modern non-fiction.

Hurricane Katrina (2005)

There are a lot of kids’ books on Katrina. It is one of those topics which seems to have fascinated writers at least. I tried to get all the middle school and up ones that I could from my local library and to at least skim through them so that I can point you to the best ones.

Fiction:

Zane and the Hurricane by Rodman Philbrick — The title of the first chapter is “My Stupid Trip to Smellyville.” The books says up front it will be gross and the tone, narrated by the tween (?) protagonist, is quite colloquial. I’m sure one can get facts about the hurricane from it but this is not great fiction. Middle school chapter book.

At the Crossroads by Travis Hunter — A longer chapter book, maybe later middle school. The narration isn’t quite so colloquial but the characters’ speech is. I got bored in the first chapter.

Buddy by M.H. Herlong — Though the young narrator uses his own dialect, this one’s a lot more readable. It’s the story of a boy and his dog in the hurricane. The first chapter makes me want to read more though I wouldn’t call it high quality writing. Middle school level again. Updated to add: I am reading this one aloud to my two middle schoolers and we are all enjoying it. The hurricane doesn’t come till at least half way through the book  but it is a good story that gives you a feel for the life of some of New Orleans’ poorer residents. I like that a lot of details, including even the race of the main characters, is implied and can be discerned but is not made too obvious.

Between Two Skies by Joanne O’Sullivan — From the start you can tell this one includes more of the unique culture of Louisiana, but the first chapter doesn’t capture my interest as much. Some concern over content as skimming through one character’s mother is described as “in too-short jeans and a bikini top, clearly wasted, … grinding up against some sketchy guy.” Not hard reading but I’d call it high school level for content.

Saint Louis Armstrong Beach by Brenda Woods — Another boy and dog story. A shorter book at only about 100 pages. But I can’t get into it and don’t particularly want to read it.

Hurricane Song by Paul Volponi — Life in the Superdome after Katrina hits. A broken family situation is prominent. This is the second most engaging book so far but it’s not that good. Middle school level again.

Finding Someplace by Denise Lewis Patrick — After chapter 1, I don’t really like these characters. Three vain kids concerned about trivial things and I’m sure the whole point of the book is that they learn what’s important but I just don’t care.

Another Kind of Hurricane by Tamara Ellis Smith — Hurricane Katrina and Tropical Storm Irene. Two boys, one from New Orleans and one from New Hampshire (?). I’m intrigued and willing to read more.

Zeitoun by Dave Eggers — From the adult section of the library. The main characters are adults, parents, but I think an older child (high school) could get into it. I may read the whole thing myself. Updated to add: I read this book. At times, I couldn’t put it down. But it was hard to read in the sense that there are a lot of tough events. I would not give this to anyone below high school and even then you might want to preview for content. I also did not like the portrayal of Christians. There were a few positive Christian characters but the bad ones stood out a lot more. This is a true story. The writing is not stellar.

Non-fiction:

The Storm compiled by Barbara Barbieri McGrath — students drawings and writings; picture book

Drowned City by Don Brown — graphic novel look; simply written but powerful because of the images and the glimpses into what people thought and felt. I don’t usually use graphic novels but this book was the right length for the time we had to fill for my 6th grader. She was very excited to read a “comic book.” I was shocked by how much detail she could narrate from such a book.

Mangled by a Hurricane by Miriam Aronin — as bad as it sounds

Hurricane Katrina: Survival Stories by Jeanne Marie Ford — 4 stories from Katrina. Okay but not overly engaging. Upper elementary

Hurricane Katrina: Devastation on the Gulf Coast by Debra A. Miller– I’ve liked some of Miller’s other books. She often gives a good overview interspersed with primary sources and divergent opinions on an issue. One of the better non-fiction books. 87pp. Middle school level

Hurricane Katrina: An Interactive Modern History Adventure by Blake Hoena — a choose your own adventure book. Upper elementary to middle school

The Obama Years

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The Obama View by Karen Gibson Bush — re the 2008 election. Seems decent though not great. The style is somewhat engaging. Upper elementary to early middle school. 40 pp. My 6th grader says it was okay.

Happy Reading!

Nebby

 

 

 

 

Is It a Living Book?

Dear Reader,

I have been doing a very loose series on “questions that get asked a lot on lists/forums” (anybody noticed?). We have discussed, for instance, how to get started with a Charlotte Mason education and how must does a CM education cost? (Okay, in reality, those are the only two posts in the series so far . . .)

Another question I see a lot is “Is                    a living book?” with the name of some popular series or favorite book in the blank.  If you are new to CM, you may want to sit down for this next bit — there is no hard and fast standard for what makes a living book. A book can be living for one person and not for another. But we can also say that some books are clearly not living while others really, really should be read by everyone. I will try, however, to give something of a checklist to help you decide for the book in front of you and for your family. In fact, I will give two checklists — one for the question you are asking (is it living?) and one for the question you really mean to ask (keep reading for that).

Is it a living book?: the checklist

  • How many authors does it have? One is best; the more, the worse. Real living books can’t be written by committee. This is because living books convey ideas from mind (the author’s) to mind (the reader’s). If there are 20 minds on the giving side, this is not going to work well.
  • Is it well-written? If you as the adult are new to CM, or to the world of good literature, you may not have much of a sense yourself if a book is well-written. There are some more obvious things to consider like: Does it use proper grammar and spelling? But there are also more subtle criteria that have to do with style and sentence structure. Very early readers may need short sentences but by the time a child can read a decent chapter book, they should not be talked down to . . .
  • Which brings me to the next question: Do you enjoy reading it? That is, you as an adult, do you look forward to reading this book? If you dread it, even if your kids love it, there is a good chance it is not a living book. This is a wonderful test for picture books, by the way – if you don’t want to read it more than once, don’t; it is not a living book. On the other hand, if you love the way the words flow off your tongue, if you snicker every time at that one clever sentence, then it probably is a living book.
  • Does it convey ideas? This is why we choose living books. Ideas are to books as blood is to animals. If there is nothing flowing through it, it is not living. You don’t need to be able to say what those ideas are; the ideas we get from books can’t always be put into words. These ideas are not one size fits all; you may get different ideas than I do. If you can read it twice and get new things from it, it is likely a living book. We can have relationships with living things. And my relationship with Johnny is not going to be the same as yours. All relationships are as unique as the people involved in them.

Don’t be fooled into thinking a book is living just because your child learns something from it.  If we can all look at a book and say that its message is x, then it probably is not living (I am thinking here of so many books that are written for children these days with names like “XX goes to the dentist” and very profound messages like “the dentist is your friend”). It is just an obvious, preachy book. A real living book has ideas but it is not obvious. If you can argue about what it means, it is probably a living book. If you want to argue about what it means, it is definitely a living book. Be careful – facts are not ideas! Your child may read a book of historical fiction and learn that the Romans had aqueducts. They mean even learn quite a lot about aqueducts. They may be able to tell you different kinds of aqueducts. These are all facts. (And, in line with my test above, you could probably read the same book and get the same information; there is no disputing what the book teaches – it’s about aqueducts.) If, on the other hand, your child begins making different kinds of aqueducts out of his building blocks or starts playing Roman soldiers with his teddy bears, you may have hit upon a living book.

  • Do you (or does your child) want to tell people about it? Charlotte Mason had children narrate because narration is such a natural thing to do. If you find a book or see a movie you love, you want to tell everyone about it. A good story is worth sharing. Children may “narrate” by acting out their stories, not just by telling. I give this one with a bit of hesitation; we all know children who will bore everyone in their lives to tears by reciting facts about dinosaurs. Look for signs that they are telling (or acting out) the story, not just reciting facts.
  • Some quick questions to consider:
      • How old is it? There are many exceptions on both sides, but generally speaking older books are more likely to be better. If something is widely considered a classic, there is probably a reason why.
      • Is it part of a series? How long is that series? Does the series have more than one author? Being part of a series need not be inherently bad but it should at least cause you to pause and look further. A series that goes on and on, beyond say 6-8 books raises suspicions. If it has multiple authors, particularly if one author took the series over at some point in time, then you likely don’t want at least the newer books. If every book in the series has basically the same plot and there is no character development, it is likely not living, at least beyond the first couple of books of the series. Some examples to show what I mean:
        • C.S. Lewis’ Narnia series – these books together form one extended story. They do not all tell the same story and we can see that the characters change through the books (they age and they mature). There is also an end to their story.
        • The Boxcar Children series – This series was begin by Gertrude Chandler Warner and continued later by other writers. Altogether there are well over a 100 books. There are two red flags here: the sheer number of books and the multiple authors. The first book is a charming story and well worth reading. The next few books are also decent. But with more than 100 books and the same basic plot — kids solve a mystery – it is no surprise that there are no new ideas after the first few books.
  • Questions not to ask: Can my child learn something from this book? (See above on facts vs. ideas on why I say this is not a deciding factor.) Does my child like it? Charlotte tells us that kids will like things that are  basically intellectual fluff, particularly if they have not developed  a taste for the finer things. If books are the diet of the mind, some books are going to be junk food. Kids love junk food (who doesn’t?); that doesn’t mean it is what they should be ingesting. (On the other hand, I am not advocating forcing children to read something that they hate just because you have deemed it living. Remember a book can be living for one person and not another; if your child really rebels against reading a certain book, my advice is let it go and find another.)

So much for “Is it a living book?” But if you are asking, I think what you really mean is “Should I let my child read this book?” If it is a living book, of course you can go ahead and let them read it (assuming it is age-appropriate and all that). But there are times when it is okay to let one’s kids read some not truly living books. This is especially true with those who are newer readers. It can be hard to find good books for this stage (but see this post) and it can be hard to motivate some children to read on their own at all. What kind of reading we are talking about matters too. Schoolwork is not free reading. Yes, it would be nice if everything they took in were a true living book of impeccable quality but a little fluff now and then will not kill anyone. Again, the diet analogy helps us. One can’t go months without nourishing food chock full of vitamins, but a little dessert once in a while doesn’t hurt either.

Happy reading!

Nebby

 

Living Books on the American West

Dear Reader,

In our study of American history, we have reached the latter half of the 19th century. I am dealing with this period somewhat topically; we just finished  a study of the west and will next address industrialization. The are a number of topics subsumed under this heading: Native Americans, cowboys, pioneer life, the gold rush, the settlement of the west and its closing, plains farming and ranching, and the beginnings of the move for conservation. You can find all our reading lists for American history here.

Living Books on the American West

Our Spine

We used, as we usually do, a spine book which I read aloud to all the kids. This book provides and overview of the era and ensures that we don’t have any huge gaps . My children (4 of them, ages 10-15) can then read more in-depth books on specific topics at their own level. Our spine this year has been the series The American Destiny by Henry Steele Commager. It is aimed at a high school level (which two of mine are) and though I am not 100% satisfied with it (it can be a bit dry) and I am content enough with it to see it through this year at least.  Volume 8 of this 20-volume series address the west.

Picture Books

There is no shortage of books on the west; it is one of those topics which captures the imagination. I’m sure there are many good picture books on the subject. We read just a few (my kids are getting a bit old for picture books). Here are some to look for:

Klara’s New World by Jeanette Winter is a long picture book. It is the story of a young girl who emigrates with her parents to America (from Sweden, I think). The book mostly describes their journey, with only a little about their life in the New World, and nothing really on the hardships of being a pioneer.

Dakota Dugout by Anne Turner is another long picture book. As its name suggests it tells about like in a dugout house on the prairie.

Glen Rounds has a number if picture books on the west. We read Cowboys and Sod Houses on the Great Plains. The former was very short and well below my kids’ levels but Rounds’ pictures are nice and it would be good for pre-K through maybe 1st or 2nd grade. The latter was a little more complex (though that’s not saying much) and did give a good description of what sod houses were like.

Fiction: chapter books and beyond

We weren’t able to get to all the books we would have liked. I did not read Smokey the Cow Horse by Will James. My librarian was very excited I was checking it out though and apparently had fond memories of it. It looks like a nice old book but was a little long for us right now. It is fairly thick.

We’ve enjoyed Sterling North’s books in the past but didn’t manage to get to The Wolfling. None of my kids are that into animal books right now but if you have one who connects better with animals than people, this could be a good choice.

I checked out Carolina’s Courage by Elizabeth Yates, but my 10-year-old told me I ad made her read it last year when we studied Native Americans. Like most of Yates’ books, it is a sweet one and not too difficult. I would call it 3rd-5th grade level.

I did have my 10-year-old read Thunder Rolling in the Mountains by Scott O’Dell. O’Dell is an author I always look for; he has many historical fiction books. This is one of his simpler ones; I would call it 4th-6th grade level. My daughter seemed to enjoy the story which is about a Native American girl whose tribe is forced to move. She meets Sitting Bull at the end.

We did not get to Donna Vann’s Wild West Adventures. It is part of  a series which I am tempted to use for geography, each volume being set in a different locale. It looks to be 4th-6th grade level and to be a wholesome, Christian series. It might be a bit obvious on the Christianity bit for my tastes but some like that.

I had my 6th grader read The Bite of the Gold Bug by Barthe deClements. If anything, it was too easy for him so I’d say it is again 4th-6th grade level. I don’t think it’s fine literature but it did give some sense of life in the gold rush.

I had my 9th grade daughter read My Antonia by Willa Cather. This is a classic make-your-high-schooler-read-it book. I had never read it myself and really enjoyed it. I tend to be skeptical of the books everyone reads but this one is well worth it. I also read another of Cather’s books, O, Pioneers! which I also enjoyed. It is slower to get started and I can see why My Antonia is the one most people go to, but it is still a good book if you have the time. Both are about Scandinavian immigrant families on the plains.

Non-Fiction

I had my 5th grader read The Story of the Homestead Act from R. Conrad Stein. This series, The Cornerstones of Freedom, is a good one if you get the older version. Look for the books with “story of” in the title. I believe there are others that would fit this time period too but I didn’t get them from my library in time.

I also had my 5th grader read Wild and Woolly West by Earl Schenck Miers. It’s one of those lovely older books which do a good job of making a story of history.

My 6th grader read War Clouds in the West by Albert Marrin and Westward Adventure by William O. Steele. Both are favorite authors. War Clouds is one of Marrin’s simpler books and I would call it middle school level (most of his I would use for high school). Westward Adventure is also middle school level and is really six short biographies in one though at the end they all come together.

I also had my 5th grader read Saving the Buffalo by Albert Marrin which, not surprisingly tells all about the buffalo, the extinction they faced, and how they have come back. She seemed genuinely concerned for them which seems like a good sign.

I read Holling C. Holling’s The Book of Cowboys aloud to my younger two. I didn’t used to be a fan of Holling’s books but they are growing on me. Some parts of this one dragged (we weren’t very interested in all the kinds of saddles) but it is not a bad story and is certainly thorough. Two New York City kids go to the west to spend a summer with their uncle on his ranch.

My 9th grader read yet another Marrin book: Cowboys, Indians and Gunfighters. This one is a little harder so I am calling it high school level, though Marrin’s books are well-written and not truly difficult. In the interest of honestly, I’ll tell you my 10th grader, who has done the most Marrin books, balked at doing another one, though his reason was that they are really too thorough which I consider a good thing.

I did have my 10th grader read Ghost Towns of the American West by Robert Silverberg. We have done a couple of his books previously as well and have enjoyed them. He narrated it well and seemed to enjoy the book.

Poetry and Movies

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We already owned Tales from Gizzard’s Grill, a long poem by Jeanne Steig. It is silly fun.

We also watched Butch Cassidy and the Sundance Kid, the old movie starring Paul Newman and Robert Redford. We all thoroughly enjoyed it. There are one or two bits that are a bit racy (though nothing is really shown) and you do see that a man and woman are sleeping together. But there is enough humor and plot for a modern kid. We had also watched a number of Gene Autry movies recently (in another context) and my kids enjoyed those as well. They tend to be on the short side which is nice and are completely wholesome.

Next up: the Industrial Revolution

Nebby

Picking Living Books

Dear Reader,

My method for homeschooling history is to get a stack of books on our topic — usually whatever comes next chronologically — from the library, to skim them, and to pick one or two for each child to read (as well as possibly some read-alouds). If there is a lot in our library system, one trick I use is to sort the results by publication date, from oldest to newest, and to request the older ones first.

Next up for us is a brief detour from our study of American history to touch on Victorian England. I need to get more books still, but I have a few here sitting on my counter so I thought I would share a paragraph from each to show how I pick a living book.

“One Friday in August, late in the morning, Susan Shaw came into my life again, more than a year and a half after she had vanished from Ward Street and the twentieth century.” (All in Good Time by Edward Ormondroyd)

“Almost one hundred years after her birth in 1819, ad novelist and playwright J.M. Barrie slyly points out, Queen Victoria’s image might have called to mind pocket change rather than pomp and glory, and the place of her birth was merely an architectural backdrop to promenade and play. From this perspective, the old queen signifies little to Edwardian children. In Peter Pan in Kensington Gardens, the narrator compresses the widely known facts and fancies of Victoria’s life at Kensington Palace from birth to accession — her solitude, love of dolls, the Archbishop of Canterbury’s audience with the newly made queen, and her public coronation — into a child’s version of Victoria’s life-story: ‘She was the most celebrated baby of the Gardens . . .'” (Becoming Victoria by Lynne Vallone)

“‘I will not learn my lessons!’ Princess Victoria stamped her tiny foot. ‘I want to sing and dance and playa s other children do. If my father were alive. he would not make me spend all of my time in the schoolroom!'” (Queen Victoria: English Empress by Sally Glendinning)

So which of these three would you pick? I find the first and third most engaging. Their first paragraphs make me want to know more. The first, if it isn’t obvious, takes a modern child and, by some stratagem, I don’t know what yet, has them travel back to Victorian times. I find this plot device a bit overdone and it tends to make me skeptical of the book as a whole. Nonetheless, the story still sounds intriguing and I want to read more.

The third strikes me as not being overly well-written, but, on the other hand, it also makes me want to continue reading. And in the first few sentences it has given me a taste for Victoria’s personality and a fact about her: her father is dead.

I couldn’t even bring myself to type out the whole first paragraph of the second book. I was bored reading it and I was bored typing it. It’s not that it’s completely dry, it is trying to be interesting. But it is also slipping in too many facts in too small a space without really giving me an interest in the subject. It does make me want to find and read Barrie’s book though 🙂

An key point here, I think, is that while there are some guidelines for living books, there are no hard and fast rules. One book may be living for me and not for you or vice-versa. This is important to keep in mind as we pick books for our children especially — just because I like a book doesn’t mean it will be a good fit for my child. On the other hand, we do want to gradually challenge out children’s reading and understanding skills so  one needs to use discernment and not let them off immediately if they squawk about a particular book.

As for me, I am back to the library because I have only two books I like so far and 4 children.

Nebby

Is there a place for twaddle?

Dear Reader,

Those new to Charlotte Mason’s educational philosophy often wonder if they should allow their children to read “fun” books. Does every book need to be a living one? Is there room in one’s life for Captain Underpants if that is what your child prefers? What about the American Girl books or Magic Treehouse?

From a favorite book of mine, The Golden Milestone by Frank Boreham, I find this answer:

“There is a place in life for the novel, the love-story, the frolic of an author’s fancy. It is sometime pleasing and restful to leave a world of facts and sail out on the fairy seas of fiction. The product of a great imagination has its irresistible charm. We are among the shallows of literature, it is true, but then we are only attempting to minister to the shallows of life. The danger comes when we settle down to the shallows; when we never hear the voice of the deep; and when the deep within us becomes neglected and starved. It is good sometimes to get away from the shallows into the deeps; to enter into fellowships with the great masters; to feel the throb of reality; and to grapple with the problems of the universe.” (from The Golden Milestone by Frank Boreham; emphasis his)

Now there are fairytales and such that we would consider living books. The test here is not whether a book is found in the fiction of non-fiction section of one’s local library. I think Boreham uses the words fiction and novel more to denote the sort of books which we would today call “popular fiction” or “beach reading.” Nonetheless, his point, I think is a good one. There is a place for our lives, and our children’s, for these easier, more purely entertaining books.  The danger comes when we do not delve deeper and challenge ourselves with deeper works.

Charlotte Mason uses the analogy fo food and I think it is (if you will pardon the pun) a fruitful one. Those quality living books are the meat and vegetable sof life; they contain the proteins and vitamins which out bodies need and without which they can’t thrive or ultimately even fiction. There are other works which are more along the lines of white bread; they are not awful for one but they would not sustain one in a healthy way for long if they were all one took in. Still others are perhaps the sweets; they may be thoroughly enjoyable and in small doses will do no ultimate harm but in large doses there is danger. And without naming names, I think there are also some which are poison; which should be avoided at all costs.

The lines we draw may be different, even within a  family there may be one child who can tolerate more “sweets” than another. For my own kids, I am willing to put up with a certain amount of Magic Treehouse; I do draw the line at Captain Underpants. But then sometimes if all a child has known is the teeth-rotting books, one must make the transition gradually. And over time, I do find that the palate changes and the child comes to enjoy the “vegetable” books and even to ask for them.

This analogy has probably already been stretched too far but indulge me in one more thought: the good advice which applies to food may also apply here — Avoid battles; Sneak in the healthy things as you can (audio books in the car are one example); Require a bite fo two of the quality nourishment every “meal”; But if you find youself cajoling and wheelding, just stop and back off; and, lastly, Be persistent.

Nebby

Let’s Play Guess which is the Living Book

Dear Reader,

Ready for a game? Below are the first paragraphs from two history books I picked up for my kids’ schooling this year. You tell me which one is the living book. Bonus points if you tell me which one was published first. Spoiler: this should be super easy. Comment below with your answer. When I get the right response, I tell you what the books are. Ready? Here we go:

Book #1:

“When John Brown was born in 1800, the United States was a young and growing country. Settlers poured into the new territories of the West. They built towns and turned forests into farmland. New states were added to the Union, and the country’s population swelled. Americans were very proud of their country. Many people claimed there was more freedom on the United States than in any other country in the world. However, in the southern states, almost one million blacks wore the chains of slavery.”

Book #2:

“Gunshots cracked the cold grey dawn of October 17, 1859 in Harpers Ferry, Virginia. Awakened by the noise, frightened citizens hastily dresses and gathered in the streets. “What is it?” “What has happened?” they nervously asked one another.”

Bring on those guesses!

Nebby

p.s. Double bonus: tell me which one makes you want to keep reading.

Percolating Thoughts on Kids’ Lit, Fairy Tales, the Occult

Dear Reader,

I have been reading a new (to me) book on fairy tales, Once Upon a Time: A Short History of Fairy Tale by Marina Warner. I hope to do a more complete book review but I haven’t finished the book yet so it seems a little premature to pass judgment on it. I will say that it is a fairly dense book and not, despite its title, what I would call short. I suppose if one were a fairy take scholar one would read it and think how much more could be said so it may be a short history in that sense, but it is not a short book.

Not being a fairy take scholar myself, and only having a recreational interest in the subject, I find it a bit hard going at parts, but there are gems in there which intrigue me and make me think. I’d like to focus on one of those today. The author, Warner, shows that fairy tales include elements from whatever time and place they emanate from. They are stories for and about the ordinary people and ordinary life (Kindle Loc. 1234). This will seem at first glance, perhaps, quite the opposite of true since the situations and events in fairy tales tend to be so fanciful and, frankly, unrealistic. But, Warner says, “Fairy tales used to transmute the horrors by setting them once upon a time and far away, and in this way did not directly raise the spectre of a killer next door but smuggled their warnings under cover of magic storytelling” (Kindle loc. 1290). In other words, real horrors are dealt with by moving them to extraordinary settings. But they are, nonetheless, real horrors. By doing so, “the plots [or fairy tales] convey messages of resistance — a hope of escape” (Kindle Loc. 1285).

The thought I had, and the reason I bring this all up, is that fairy tale plots and themes are so very prominent in children’s literature today that one must wonder what needs there are among the young that are being met by such stories. I should say that these books are not, by Warner’s definition, fairy tales. But they do contain fairy tale elements, and often build upon well-known fairy tales. If you, like I, have scoured your library’s children’s section, and particularly the young adult section, for new things for your child to read, you have probably seen as I have that there is an awful lot out there that has to do with princesses, vampires, zombies, aliens, magicians, sorcerers, werewolves, . . . the list goes on and on. I do not inherently object to such things; I have written in that previously. But there is a point at which it just gets to be too much. And reading Warner’s book on the role of fairy tales makes me wonder if there is more going on in our society and in the lives of our tweens and teens than we have thought about.

I get e-mails daily from BookBub which gives me links to free and cheap Kindle books in categories I have selected one of which is “Teen and Young Adult.” Here are some of the blurbs from books they have offered recently:

“On her 18th birthday, Katalina Winter’s life changes forever. Alone, she must navigate a warring world, where her only chance at survival is embracing her deepest secret: She is a pureblood wolf shifter. Her status may save her life — if she uses it wisely.”

“This romantic fantasy simmers and soars: Crown Princess Angeline must rely on dangerous rogue Connor to regain control of her kingdom, but all the while opportunistic enemies scheme for the throne.” (from a series called Bloodtruth)

“From a USA Today bestselling author comes a gripping collision between love and destiny… Shane was born to hunt vampires like Maggie, but senses there’s something different about her. Will her dark secret destroy them both?”

These are just a few examples I still had in my inbox, but I think they begin to show common themes. The young protagonist has some special power or is in some way not fully human (vampire, werewolf, etc.). He or she is faced with a challenge, often has to leave their home and enter a new world. And there is often a romantic interest who is also different in some way and who pulls them away from their home and family. I know these threads are not unique or new. What’s a story without some sort of challenge to overcome after all? And kids’ books often have the child separating, or being forcefully separated, from their parents. It’s rather a necessary plot device that allows the character to grow up. I have even blogged on that before here. But I still feel the current crop of kid’s lit goes beyond what was around when I was young. Which leads me to ask, if these kids are feeling the need for escape, what are they escaping from? What are they feeling more or differently than previous generations?

I don’t have the answers to these questions except to think that as a group teens are not being given ay sort of spiritual foundation. They know there is something more, something different which is needed, they know even that there is the potential to be more than human, but they have no outlet for these feelings so they create them, or have them created for them, in books.

What do you think? I am way off base here? Has someone already completely given the answers to all these questions?

Nebby

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